You can apply Presets from either screen, but you can create custom Presets only from Customize. In fact, choose this Preset in Preferences to apply it to all images in a folder when opened. I recommend the DxO Standard Preset for starters with any image. While many Presets appear to just fill space or attempt to be clever, some are indeed useful. To simplify things, use a Preset-a one-click approach to quickly define the look and feel of the image. The Customize screen is where we get down to business. That aside, you can view before and after, as well as side-by-side, comparisons of an individual edited image on either screen. While testing OpticsPro, I often had to resort to Lightroom to select the image I’m going to edit in DxO’s software. All rights reserved.įurther, DxO still fails to allow you to view multiple frames in one window (what is called “Survey view” in Lightroom) so you can pick and choose which image to edit from a group of similar shots.
#Dxo optics pro review iso
This is an ISO 12800 capture that was given a tonal boost in the shadows, leading to even greater noise levels. Note that you really need to evaluate the effect in this preview window to fully appreciate the effectiveness of Prime noise removal. Now glance over to the rectangular marquee superimposed on the image near the left edge and compare that with the Prime NR preview window far right.
This reflects my preferences and differs from the standard Palette. What’s more, sorting is annoyingly applied globally, not individually for each folder, as is the case with Lightroom.ĬUSTOMIZE SCREEN: Note the custom-designed Palette on the right, which displays only a handful of the numerous settings available. However, there are still no search tools (although there are rudimentary filters). And the program automatically generates new Projects for each Lightroom import, or group of imports. OpticsPro removes the intimidation factor by simply involving you in two interface screens: “Organize” and “Customize.” The Organize screen lets you select the folder you’ll be working in, and that’s pretty much it.Įither screen provides the means to assign images to “Projects” (with a common theme or job title) that you create. (Tested platform: Apple iMac, configured with 3.1 GHz i7 processor, with 16 GB RAM, NVIDIA GeForce GT 650M 512 MB, OS X 10.9.5.)
There are a few other enhancements, but I prefer to focus on the ones that had the most profound effect on my workflow. The Elite Edition also gives you the new DxO Clearview tool, to penetrate atmospheric haze. (I also added FilmPack v.5 to the mix, although I’m less enthralled about film emulators in general.)īeyond that, “Prime denoising” NR for Raw files (Elite edition only) has gotten a big speed boost, so you no longer fear that using it would be like watching paint dry. I took it to the next level with the optional v.2.5 upgrade. DxO 10 Elite comes with Version 1, which installs as a plug-in (also usable with compatible apps, such as Lightroom and Photoshop). ViewPoint very effectively tackles perspective and distortion control as no other tool I know.
What’s more, OpticsPro 10 now fully supports DxO’s own ViewPoint plug-in. You can go back and forth practically seamlessly between the two programs, including importing and exporting converted DNG Raw files.
#Dxo optics pro review full
There are lots of key enhancements to OpticsPro 10 but let’s start with full integration with Adobe Lightroom.
#Dxo optics pro review software
But are these enough to catapult this software into the top tier, or is it still playing catch-up? What the new DxO OpticsPro 10 version of the software brings to the table is a cadre of new features and improvements. I’ve worked with DxO's OpticsPro imaging software for several years and have watched this program evolve and make great strides as a Raw image converter.
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